Benito Quinquela Martin - The Artist of La Boca

Benito Quinquela Martin was born in Buenos Aires (La Boca - the Port of Buenos Aires) in 1890 and was left at an Orphanage at 20 days of his birth. Adopted at the age of 6, he grew up in the district of La Boca. At 14, he began drawing although his adoptive father discouraged him. He entered school but had to leave at the age of 9 to help his stepfather in the coal business. At 15, he began delivering coal to the ships. By the time he was 17 he began studying drawing at a local school. His work depicted the port scenes. In his lifetime he explored all the art media including printmaking and ceramics. His most striking work involves "Heroic Worker" scenes both in oil on canvas and on printed works. He specialized in etching and aquatint. His first exhibit was in 1918 at the Witcomb Gallery in Buenos Aires to great reviews! in 1921 he exhibited in Rio de Janeiro and then Between 1923 and 1929 he exhibited in Madrid, Paris and all over the Continent including Italy. His philanthropic work in providing support to the arts and to children in La Boca are legendary. Founder of Cafe Tortoni in Buenos Aires where all the artists of the time formed a Salon. Today his work hangs at St. James Palace in London, among many other museums and private collections.

American Art Deco Furniture By Ric Emmett Valentines Price

American Art Deco Furniture by Ric Emmett After FOUR years of research and writing this book has become a REALITY!!! It has become a part of the permanent collection in the Art & Design Libraries in many museums and universities. 200 copies were sold in the pre-publication offer!!! The book; Five hundred and sixty-nine pages of color pictures (none previously published), descriptions and period research has become the "bible" on the subject. It has chapters on Paul Frankl, Donald Deskey, Gilbert Rohde, Kem Weber and nineteen other American designers of the Art Deco period. The book includes chapters on manufacturers, a useful bibliography and a chapter showing tags, marks and labels. American Art Deco Furniture is published in an edition of only 1000. Each book is numbered. There will be NO second edition or any other printing or e-book publication. The book price is $ 150.00 plus local sales taxes if applicable. You may also send a check for $ 150.00 (add 7 % if located in Florida) along with your address to: Art Deco Pros., Inc. 7125 SW 47 # 303 Miami, FL 33155. Shipping included. Iza Emmett (305) 798-0308

WOODS OF THE WORLD - AS USED IN AMERICAN ART DECO FURNITURE AND DESIGN

WOODS OF THE WORLD – AS USED IN AMERICAN ART DECO FURNITURE DESIGN & MANUFACTURE In his book, American Art Deco Furniture, Ric Emmett describes the use of exotic woods in the design of furniture by the great American Designers. This guide was published in the Home Furnishing Arts magazine’s Spring & Summer issue of 1935.

Eugene Schoen is Included in American Art Deco Furniture by Ric Emmett

Eugene Schoen (1880 - 1957) was one of American Art Deco's top design names. The following is an excerpt from Ric Emmett's new book, American Art Deco Furniture: " Eugene Schoen (1880-1957) was born in New York City. He attended Colum¬bia University, graduating in 1901 with a degree in architecture. The Paris Exposition of 1925 inspired him to open an interior decorating business specializing in the new modern movement. He designed furniture, rugs, and occasional items for his cli¬ents. His work was exhibited at The Metropolitan Museum of Art’s two exhibits of industrial design. Schoen had a wealthy clientele and his combination of the best of New York, Paris, and Vienna with the quality of craftsmanship of his furniture, mostly executed by Schmieg, Hungate, and Kotzian, brought him ample commissions through the depression. He maintained his exclusivity by selling through other decorators or to his own clients."

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American Art Deco Furniture

Rare American Art Deco Red CLIMAX Cocktail Smoker

W.J. Campbell designed this art deco cocktail smoker in 1934 for the Climax Machinery Company of Indianapolis. The smoke stand and ashtray feature a circular ring which doubles as a tray and can be removed to serve drinks. The ashtray has a lifting device to deposit spent ashes into a hidden bowl which can be removed for ease of ash disposal. The ash receptacle has wide depressions to accommodate cigars and a raised portion for a match book. Henry Dreyfuss used similar aluminum and chromed steel Climax ash stands on the lounges of the Twentieth Century Limited and other trains. The 26” high stand is an icon of the American Art Deco Era and is pictured in Duncan’s American Art Deco and the Brooklyn Museum’s Machine Age. The original red paint has been refreshed and the chrome has been polished. The remains of the Climax decal is on the bottom of the ring and the patent numbers are molded into the inner bowl.

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